| ENGLISH | DEUTSCH | |
 |
<<< >>> |
 |
 |
About
Accessoires
Activities
Biography
Inbetweens
Interviews
Objects
Projects
NO!art
occupies
the strategic
juncture where
artistic production
and socio-cultural
action meet.
Franziska Becher born 1988 in Annaberg/Germany. Concept artist. Her versatile, creative working methods, which are unable to be summed up in one concrete style or topic, make her pieces something very much individual. Her work is characterised by the combination of traditional values, identities and fortunes. Her ability to recognise tendencies in our society in everyday, personal dealings with one another is typical of Franziska Becher as human and artist. The question of identity, of whence and whither, is engaged by humans constantly and everywhere in the entire world.
2021 AWARD MICHELANGELO / DANTE ALIGHIERI
Socio culturale Roma, Rome, IT
3. MIXED IDENTITIES | Line Contempory Art Space, London GB
100 POKALE VON ZELLA-MEHLIS | Rathaus Zella-Mehlis, Germany, DE
FUTURE LANDSCAPES - THE ROOM | Venice, IT
FRAGMENTED IDENTITIES | Palazzo Abrizzi-Capello, Venice, IT
SALVE! | 1. Strassen-Kunstfestival Weimar, Germany, DE
2020 AWARD RAFFAELO & GENOVA
Scuola Grande di San Teodoro , Venice, IT
SCHÖPFUNGSPROGRAMM - LOBGESANG UND ELEGIE
Multimedia Project with Silke Gonska & Frieder Bergner
Rathaus Suhl; St. Wigberti Kirche Sülzenbrücken; Berkach,
Jüdische Synagoge; Nordhausen, Ratssaal; Neue Bibliothek and
Paul-Schneider-Zentrum Weimar, DE
BORDERS-ART FESTIVAL
Biennale Architettura "Universes in Universe", Venedig, IT
TEILEN UND HABEN - Aufgeteilt! Von kleinen und großen Fürstenstaaten
Dornburg, DE
MIXED IDENTITIES, Line Contempory Art Space, London GB
EXTENDED BODY | Line Contempory Art Space, London , GB
EEBA (European Eye Bank Association)
Art & Photo Exhibition, Hannover, DE
2019 BAUHAUS CAUSE 100 | KunstForum, Gotha, DE
BAUHAUSPARADE | Opening New Bauhaus Museum, Weimar, DE
COMING HOME - BAUHAUS 100 | Bauhausstraße 1, Weimar DE
OLD C-HOSPITAL | Annaberg-Buchholz, DE
JAHRESENDFLIMMERN
Haus zum Bunten Löwen, Krämerbrücke, Erfurt, DE
2018 POP-UP STORE | NO SHOW MUSEUM, Zurich, CHE
ARTIST RESIDENCE | wortundwirkung, Zurich CHE
INTERVENTION | Department store, Zurich, CHE
CULTURAL ACCESSOIRES |Dienstgebäude-Art Space, Zürich, CHE
NO!art involved Artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR
NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
